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Khuda Kay Liye – Movie Review

September 5th, 2007 by tapsboy

Note: This movie will not release in India, because it is a Pakistani production and it is banned in India. But for me and millions of others, Internet is here to empower. No, I am not advocating piracy, but simply speaking “Internet boldly goes where no media has gone before”. This is a political movie and this post is political.

About the Movie: The movie is about a moderate, progressive Pakistani family residing in Lahore and their brush with fundamentalism in Islam. It does carry forward an important message about how a common Muslim is equally affected by “Religious Fundamentalism”, just as in other religions. Mansoor and Sarmat are two musician brothers, caught in the perils of time. Samrat turns into a Taliban guy, whereas Mansoor, who is pursuing a degree in music in USA, is suspected of being a terrorist. Cousin Marry(Mariam), who is wanting to marry her gora boyfriend, is deceived by her father Hussain Khan to join him for a trip to Pakistan to see his long lost family and in turn she is forcibly married to Sarmat. Somethings dont change, and some people are determined to make that change. Marry returns to the village where she was forced to stay up and decides to educate the women there. Sarmat returns to the music and also starts praying everyday. Extremist Shershah brings his daughters to the school. A blend of progressives upholding their religion is a winner in the end. More about the Plot, Cast and Background at the Movie’s Official Site or Wikipedia or IMDB. The movie also has a good soundtrack and some fantastic visuals of areas bordering Afghanistan and Pakistan. The acting has been fairly good, however Mansoor and Shershah are the characters that have been acted best along with our very own Naseerudin.

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Posted in Movies, Religion, Society | 5 Comments »

Black Friday

February 15th, 2007 by tapsboy

One of the bravest movies of “redefining bollywood” era, Black Friday, is a one more must watch documentary-styled drama after Kabul Express. One should watch it for the event it reflects, which reminds us of the grim days Mother India saw, difficult to imagine in the now fast moving Post-Godhra India. The intentions of its makers to display the truth bypasses media coverage of such events. The movie is an educational tool for the 1993 Bombay blasts as they come alive for our generation, which was then too young to understand the events of those time and relate it to the current context, but who saw it all repeat in Gujarat riots, 9/11, and the series of bomb blasts in Mumbai and elsewhere. (The world never seems to learn from its past mistakes.)

Based on a book by the same name, which documents the investigation and proceeding in tremendous detail and authored by an Indian Muslim Hussain Zaidi, the movie helps bollywood enter a new stream, which uses multiple strong actors (kay kay menon, aditya srivastava, pavan malhotra of nukkad fame) rather than stars, which was the case with Kabul Express.

From any normal viewer’s eye, every actor has performed great. Cinematography has been fabulous with great background music from Indian Ocean. An interesting addition in the movie were real life footages of important political personalities of that time giving out statements on national TV. The footage of demolition of Babri-Masjid was embedded in a striking manner in the movie. Though the movie is about catching and punishing the “Muslim Terrorists”, many parts of the movie sufficiently show the “Hindu Fundamentalists” as the cause of the problems. Surprising, how the Sangh Parivar tolerated this, but banned Parzania in Gujarat (there’s no official ban though!!)

The movie sounds realistic, except for one discussion scene between the cop(kay kay menon) and terrorist(aditya srivastava), where the jihad is once again justified by the terrorist, and the good Indain cop claims Allah to be on the side of good, even though he was not a muslim. Police is not a super-hero as it gets tired while chasing the bad guys, it uses abusive methods to interrogate, work in 24×7 schedules after the blasts and show a tendency to be complacent. All this reflect the reality.

The element of drama or humour is scarce in the movie, foul words used whereever necessary, and blood-litted bodies describe the moments of pain. The scenes of blast have been made in an exemplary method, using sounds that tremble your senses and visuals that melt your heart.

Bravo!! Censor Board, for letting this movie go through. Though released two years after its completion, the movie has already won prizes at International Film Festivals abroad in the mean time and is already receiving a lot of critical acclaim in India. Watch it to save India from this madness once again. Fundamentalists and Terrorists are a curse for every religion and this movie reminds us that we still have work to do even if we have 10% GDP growth.

Posted in Movies, Uncategorized | No Comments »

Kabul Express

December 21st, 2006 by tapsboy

The movie is primarily about Afghanistan. As you know, it is a country devasted by wars from end of 70’s still struggling to get back to normal. The movie is also about the relationship shared by individuals of antagonizing nations namely India, Pakistan, Afghanistan and America.

Now to get back a brief idea of Afghanistan of yesteryears, you can briefly also look at previous hollywood and bollywood movies. Khuda Gawah, though a fiction, was based on a time, when that country was shifting from the old ways to the new, roughly around 50s -60s. Rambo 3 displays an Afghanistan ravaged by war, but high in spirits to drive out the Soviet Occupiers.
Afghanistan has been independent largely, but has been part of various civilizations including the Ancient Indian & Persian civilization. In modern times, everyone from British India, Soviets and eventually Pakistan & the Americans have made a lot of incursions into the Afghani World. Notably, never has the country succumbed to foreign rulers for a long time. This is a tribe of brave people, who have always been warlike moreso because of the geographical focal point they are. Yes, just look at the map an you will find that Afghanistan is a crossroad that connects the Central Asian, Persian, South Asian (Indian) & Chinese Civilizations to each other. The economies of all these 4 regions is boosting upwards after the end of cold war. It only adds to the fact, how important Afghanistan is for the future of Asia and the world.

The characters here come from different backgrounds, have different political thoughts, but they all end up as equal human beings. That is where bollywood certainly rules. We certainly have the ability to show the human side of our enemy in our movies. The concluding song of J.P.Dutta’s Border also acknowledged that those Pakistanis Soldiers, who died fought out of duty and had no evil intensions. The characters here fight it out over who is the best cricket all-rounder, who started the Afghan War, what are the actual intensions of America and so on. At the end though, all of them wanted to save their lives and ofcourse enjoy Bollywood.

Now the character, Imran Khan Afridi. I am not sure, whether any of the Talibanis fancied Madhuri Dixit. But this Pakistani Soldier did. Asked by his nation’s government to join the Taliban, Imran did not approve of was the celebrated victim-hero of the movie. The western media and even the Indian one have never given any human dimension to a Taliban Fighter post 9/11. This movie certainly breaks that chord. No it does not approve either of Talibani Ideas or their methods to enforce law. All it simply says is that those Talibanis are/were human beings too. They were no devils descended from hell. They can/could also feel the smaller human emotions of seperation from their loved ones. They could laugh and crack jokes, sing songs, smoke cigarettes (that too Indian) and enjoy Indian movies. Talibanis certainly are/were evil as an organisation. But would the individual foot soldiers be equally poisoned with the theocratic idiotism like their spiritual guides or were they simply doing their duty and earning a bread for their family. His cold-blooded murder by his fellow Pakistani armymen tells us about the divisions our loved neighbour is facing within itself. Though, it looks like the movie is one more Pakistan-Bashing bollywood flick, but nevertheless the world knows that what is shown here of Pakistan is a reality.

The movie had hints of a lonely journey styled travelogue. Cinematography is great mainly because of the locations, and is 90% authentic. The vast tracts of open mountainous lands, snow clas peaks in distant backgrounds, grand buildings of yesteryears shattered bye decades of wars. colonies of mud structures resembling newly found ancient civilisation, bursted tanks in middle of nowhere, groovy caves with a water body inside, all present a change in bollywood screens from European Greens and American cities.

Critically, the movie hasn’t found a good voice. I read through the reviews of some westerners. Most of their complaints about the movie are familiar. They don’t understand, how difficult it is for Kabir Khan to make a movie that caters to the art-starved international audiences, yet make is simple enough for average Indian to understand it. Though, I do agree that the actors performed bad. John was wasted.

The movie had a few touching scenes:

1) When John asks a nearby seated young boy to join him for some push-ups, the boy reveals his lost leg (For starters, Afghanistan is filled with a lot of landmines allover, where children playing in fields can loose their legs by stepping over an unused landmine)

2) The roadside killings of two Talibs by local Afghanis.

3) The meeting between the Talib Father and his daughter and his cry following his departure.

4) The killing of Imran Khan Afridi by his own troops against their own will, just to protect their country’s name in the “War on Terror”.

Posted in Current Affairs, Movies | 1 Comment »

Jaan-E-Mann

October 25th, 2006 by tapsboy

If you think, bollywood is all about song and dance movies, think again, think again that it is true because this movie will re-inforce your beliefs in that idea. Infact the movie takes the song & dance sequences to a new level, where each song narrates a story or involves dialogues. Jaan-E-Mann is an unconventional, bizzarre yet very involving movie. It is a Broadway Musical performed on the the large screen.

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United 93

October 16th, 2006 by tapsboy

Well a movie without characters, yet based on real life stories. Reality TV type of content created artificially. Chronology of events that occurred that morning is clearly depicted. Well to inform everyone the audience, this is not a melodrama of any sort. (Yes, not only our bollywood, it is even difficult for hollywood movies to avoid melodrama. This movie does it extremely well).

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Krishhhhhhhhhhhhhh

July 7th, 2006 by tapsboy

There was nothing really inspiring in the movie to make me write about it. However, I will do so for 3 reasons:
1) I had predecided I will write about it before watching the movie.
2) I want to appreciate the persistence of bollywood with making movies about themes that dont belong here. It is trying really hard to break the shackles of pyar, ishq, muhabbat aur sacrifice and barge into worldwide audiences with the help of crossover movies or else occassional sci-fi/super hero stuff like the one we saw here.
3)Finally, some 37 of us from my office went off to see the movie fully sponsored by our boss. (He was seeing it for the second time!!!!)

Ok about the movie now!!

So first watz new & good in Krish?

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Posted in Movies | 2 Comments »

Movie Review – Rang De Basanti

June 20th, 2006 by tapsboy

“Corrupt Politicians, Saffron Brigades, Colonial Masters, Wild Terrorists….. F**K Off. Indian Youth has arrived and its here to win & change.”

This is the movie’s plain yet hard hitting message.

So finally, indi movies have a hit. Surprisingly, this movie has clicked with a broad section of our society. Critics have appreciated too. Also if you notice, national change movies don’t work more on box offices. But when you blend it with the some humour and the young generation it can work as well.

Rebellion & revolution are not the words that have made much impact in post-independence India. The times however are changing. There is a silent, slow and steady change happening in minds of us Indians. We all do feel the change. RDB reflects this shift in our attitude.

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